Janus is another iteration of my ongoing inquiry into the topics of memory and change.

All photographs in this series were taken in the same corner of my studio in my home as I am interested in the domestic setting, and how an artist can find inspiration in the limitations of a specific space.

In Janus, the idea of change within spacial limitations is brought across by utilizing the changing light. The notion of transformation is depicted by focusing on objects like fruits, vegetables and flowers – items that are commonly associated with the traditional still life genre.

In some images, the objects are photographed alone; in others, I perform with them. In the combination of body and object, a kinship is revealed. Much of the series rests on the idea of an alikeness of all organic matter that is exposed to the forces of change. We all adapt, mutate, grow and decline every day, even if this transformation is mostly invisible to the eye.

Like the ancient Roman god, Janus – the god of beginnings, transitions, and endings – we always try to look into the future while being informed by our past. Thus the current moment, in which change is happening, usually slips by unnoticed.